Thingiverse
Venus de Milo by CosmoWenman
by Thingiverse
Last crawled date: 3 years, 1 month ago
Update 6/23/14: I used a compilation of photos of other people's prints of this model in a presentation to LACMA on February 3, 2014. Here's an adaptation of my presentation: 3D Printing, 3D Capture, and Opportunities for Design Custodians. Please share it with anyone you think might be interested -- Thanks.
"Supreme western works of art, like Oedipus Rex and Hamlet, preserve their indeterminacy through all interpretation. They are morally ungraspable. Even the Venus de Milo gained everything by losing her arms." -- Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
In the 19th century, important works of sculptural art were reproduced in plaster. Artisans carefully made molds of the ancient originals, and high-quality reproductions were then cast in plaster to be bought, sold, and traded by museums, universities, art schools, and private collectors everywhere. Plaster casts of the 2nd century BC Venus de Milo were very popular, and would have been found in cast collections all over the world.
But the plaster cast tradition faded in the early 1900s. Cast collections were broken up, sold off piece by piece, and in some cases actually physically destroyed. Today there are only a few sizeable collections of plaster casts left in existence.
The Skulpturhalle Basel museum in Switzerland maintains one of the world's few surviving large collections of plaster casts. They have a very high quality cast of Venus de Milo, which was commissioned by the University of Basel and carefully cast by the Louvre's own atelier in 1850.
In September 2013, with the museum's permission and the financial support of Autodesk's Reality Capture division, I spent a week working in the Skulpturhalle, taking 3D surveys of my choice of casts. I took hundreds of carefully staged photos of Venus and used Autodesk's ReCap Photo photogrammetry software to process them into this high-quality 3D model.
This model of Venus de Milo is a modern artifact and direct descendent of the plaster cast tradition, which is poised for a 3D captured, 3D printed, digital renaissance. It is to my knowledge the first high-quality 3D survey of the Venus de Milo to be freely published, and I am pleased to be able to offer you direct access to its ancient, enigmatic, and graceful contours, which descend to us through an unbroken chain from antiquity -- from the Greek island of Milos 2,100 years ago, to the Louvre, to the Skulpturhalle, through my camera lens, to you.
You can read more about my project, Through A Scanner, Skulpturhalle, at http://ThroughAScanner.com. I will be publishing more results, including Winged Victory of Samothrace and the Medusa Rondanini, among others, and cataloging them here: http://thingiverse.com/thing:83781 I post occasional updates on Twitter as well: http://twitter.com/CosmoWenman
If you know anyone who would be interested in sponsoring more of this kind of work by me, please send them my way.
Thanks,
-- Cosmo Wenmanhttp://cosmowenman.comhttp://twitter.com/CosmoWenman
cosmo.wenman@gmail.com
The 3D print shown in the photos and video was made with white PLA and finished in patinated copper using Alternate Reality Patinas (coming soon!). It's the first of its kind, and it was shown at the London and Paris 3D Printshows in November 2013. It's for sale.
I am also offering 3D prints of Venus de Milo through my Shapeways shop, http://shapeways.com/shops/CosmoWenman
In addition to my Shapeways offerings, I can cast Venus for you in bronze or stainless steel in any size.
Information, Tools, and Specifications:Venus de Milo
Skulpturhalle Basel accession number 261
1850 plaster molded and cast from the original by the Louvre atelier, with only very slight evidence of parting lines, and a false patina likely added in the 1950s or 1960s.
Skulpturhalle Basel: http://www.skulpturhalle.ch
History of the Skulpturhalle and uses of plaster casts: http://goo.gl/aFX84x
250 JPEGs processed with Autodesk's ReCap Photo cloud-based photogrammetry application: http://recap.autodesk.com, using every other third photo from 663 sequential positions, plus a selection of detail shots.
Camera: Canon EOS 5D Mark II
Lens: Sigma EX 50mm
Using a wireless remote shutter release and a loose tripod for shots at eye level and below, and a tripod on extended legs with wheels for shots from above.
Camera settings:
f/16
ISO-100
.8 seconds
No flash
5616 x 3744 pixels per shot
Lighting: Normal museum lights plus three additional fixed spotlights, with diffuse light from skylight on a cloudy day.
Scaling, cropping, sectioning, and print preparation of the model was done with Blender, on an under-powered Windows 7 PC that is dying at this very moment, as I type.
Scale references in the raw unedited .obj:
The grey plinth Venus stands on is 690mm x 519mm x 337mm (345mm to the floor).
The white balance reference card is 254mm x 216mm.
The "Frauen und Sport" poster is 2000mm wide.
The "Weitere Sportarten" poster is 1700mm wide.
The "Wagenrennen und Reiten" poster is 2188mm wide and 915mm from the floor.
(I am having trouble uploading the original .obj and textures of the unedited capture -- they are very large files. I'll keep trying and post a link if I wind up hosting it somewhere else.)
The model has been only very lightly re-sculpted with Meshmixer to fix one spot at the top of the head to fill a hole in the physical plaster cast, and to edit a capture defect, also at the top of the head, which the photos did not capture well. The valley where the back of the figure's right arm meets the side of the torso was made slightly crisper. A few small areas in some of the valleys in the drapery are inverted, convex where they should be concave, but these were left as-is.
Printing:
The complete, single-part model needs supports under the figure's right arm, and under the face. I've printed it small, with no infill, with RepG for file prep and a Replicator1.
The multi-part sections print well in PLA with no external supports. I've printed them several times with RepG for file prep and a Replicator1, with zero infill, 3 walls thick, at .2mm layer height for the body pieces, and 10% infill, 4 walls thick and .12mm layer height for the face and crown pieces. At its current scale, the assembled print stands about 19.5 inches tall, and is roughly the same scale as my Winged Victory model -- they make a nice pair side-by-side.
Other machine and software combos may require different settings.
Acknowledgments:
This project was made possible by the financial support of Autodesk's Reality Capture division. My thanks to Tatjana Dzambazova and Brian Mathews there for making it happen, and to the people in Autodesk's Reality Capture and 123D teams, who make incredible products. http://recap.autodesk.com + http://123dapp.com
Thanks to Dr. Tomas Lochman, director of the Skulpturhalle Basel museum, for giving me access to the museum and allowing me to conduct this experiment in extending the reach of its incredible collection and the spirit that informed its creation. http://www.skulpturhalle.ch
I'd also like to thank the following:
Bernard Frischer, Professor of Informatics and Director of the Virtual World Heritage Laboratory, Indiana University, for his advice on where to try this experiment (e dove non), and for introducing me to Dr. Lochman. http://frischerconsulting.com/frischer/projects.html
FARO, for making a FARO Scanarm Edge laser scanner available to me, and to FARO's Florian Fuenfschilling and Chris Bartschat for their expertise operating it and grabbing some laser scans of additional pieces for me. http://faro.com
Ralph Wiedemeier, who made and lent me a custom, 10' tall tripod on wheels that was absolutely critical. He even delivered it to me from Zurich. http://framefactory.ch
Bre Pettis and Kio Stark for early feedback and advice on my Kickstarter campaign. http://brepettis.com + http://kiostark.com
MakerBot for featuring my Kickstarter on Thingiverse.
Kerry Hogarth of the 3D Printshow, for giving me tickets to the London, Paris, and New York shows to use as Kickstarter rewards, and for exhibition space there to show off the project's results. http://3dprintshow.com
Susan Self for her help promoting the Kickstarter to the media. susanlself@gmail.com
Virginia Postrel for her advice and help telling the story of the bigger picture as it's been coming into focus. http://vpostrel.com/power-of-glamour
Thank you to all my Kickstarter's backers. Even though it wasn't the viral hit we'd hoped for and the campaign fell through, without their support and help promoting it, the project would have remained dead in the water. http://kck.st/1bxMz0I
-- Cosmo
Related media mentions: http://cosmowenman.wordpress.com/media-mentions/
"Supreme western works of art, like Oedipus Rex and Hamlet, preserve their indeterminacy through all interpretation. They are morally ungraspable. Even the Venus de Milo gained everything by losing her arms." -- Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
In the 19th century, important works of sculptural art were reproduced in plaster. Artisans carefully made molds of the ancient originals, and high-quality reproductions were then cast in plaster to be bought, sold, and traded by museums, universities, art schools, and private collectors everywhere. Plaster casts of the 2nd century BC Venus de Milo were very popular, and would have been found in cast collections all over the world.
But the plaster cast tradition faded in the early 1900s. Cast collections were broken up, sold off piece by piece, and in some cases actually physically destroyed. Today there are only a few sizeable collections of plaster casts left in existence.
The Skulpturhalle Basel museum in Switzerland maintains one of the world's few surviving large collections of plaster casts. They have a very high quality cast of Venus de Milo, which was commissioned by the University of Basel and carefully cast by the Louvre's own atelier in 1850.
In September 2013, with the museum's permission and the financial support of Autodesk's Reality Capture division, I spent a week working in the Skulpturhalle, taking 3D surveys of my choice of casts. I took hundreds of carefully staged photos of Venus and used Autodesk's ReCap Photo photogrammetry software to process them into this high-quality 3D model.
This model of Venus de Milo is a modern artifact and direct descendent of the plaster cast tradition, which is poised for a 3D captured, 3D printed, digital renaissance. It is to my knowledge the first high-quality 3D survey of the Venus de Milo to be freely published, and I am pleased to be able to offer you direct access to its ancient, enigmatic, and graceful contours, which descend to us through an unbroken chain from antiquity -- from the Greek island of Milos 2,100 years ago, to the Louvre, to the Skulpturhalle, through my camera lens, to you.
You can read more about my project, Through A Scanner, Skulpturhalle, at http://ThroughAScanner.com. I will be publishing more results, including Winged Victory of Samothrace and the Medusa Rondanini, among others, and cataloging them here: http://thingiverse.com/thing:83781 I post occasional updates on Twitter as well: http://twitter.com/CosmoWenman
If you know anyone who would be interested in sponsoring more of this kind of work by me, please send them my way.
Thanks,
-- Cosmo Wenmanhttp://cosmowenman.comhttp://twitter.com/CosmoWenman
cosmo.wenman@gmail.com
The 3D print shown in the photos and video was made with white PLA and finished in patinated copper using Alternate Reality Patinas (coming soon!). It's the first of its kind, and it was shown at the London and Paris 3D Printshows in November 2013. It's for sale.
I am also offering 3D prints of Venus de Milo through my Shapeways shop, http://shapeways.com/shops/CosmoWenman
In addition to my Shapeways offerings, I can cast Venus for you in bronze or stainless steel in any size.
Information, Tools, and Specifications:Venus de Milo
Skulpturhalle Basel accession number 261
1850 plaster molded and cast from the original by the Louvre atelier, with only very slight evidence of parting lines, and a false patina likely added in the 1950s or 1960s.
Skulpturhalle Basel: http://www.skulpturhalle.ch
History of the Skulpturhalle and uses of plaster casts: http://goo.gl/aFX84x
250 JPEGs processed with Autodesk's ReCap Photo cloud-based photogrammetry application: http://recap.autodesk.com, using every other third photo from 663 sequential positions, plus a selection of detail shots.
Camera: Canon EOS 5D Mark II
Lens: Sigma EX 50mm
Using a wireless remote shutter release and a loose tripod for shots at eye level and below, and a tripod on extended legs with wheels for shots from above.
Camera settings:
f/16
ISO-100
.8 seconds
No flash
5616 x 3744 pixels per shot
Lighting: Normal museum lights plus three additional fixed spotlights, with diffuse light from skylight on a cloudy day.
Scaling, cropping, sectioning, and print preparation of the model was done with Blender, on an under-powered Windows 7 PC that is dying at this very moment, as I type.
Scale references in the raw unedited .obj:
The grey plinth Venus stands on is 690mm x 519mm x 337mm (345mm to the floor).
The white balance reference card is 254mm x 216mm.
The "Frauen und Sport" poster is 2000mm wide.
The "Weitere Sportarten" poster is 1700mm wide.
The "Wagenrennen und Reiten" poster is 2188mm wide and 915mm from the floor.
(I am having trouble uploading the original .obj and textures of the unedited capture -- they are very large files. I'll keep trying and post a link if I wind up hosting it somewhere else.)
The model has been only very lightly re-sculpted with Meshmixer to fix one spot at the top of the head to fill a hole in the physical plaster cast, and to edit a capture defect, also at the top of the head, which the photos did not capture well. The valley where the back of the figure's right arm meets the side of the torso was made slightly crisper. A few small areas in some of the valleys in the drapery are inverted, convex where they should be concave, but these were left as-is.
Printing:
The complete, single-part model needs supports under the figure's right arm, and under the face. I've printed it small, with no infill, with RepG for file prep and a Replicator1.
The multi-part sections print well in PLA with no external supports. I've printed them several times with RepG for file prep and a Replicator1, with zero infill, 3 walls thick, at .2mm layer height for the body pieces, and 10% infill, 4 walls thick and .12mm layer height for the face and crown pieces. At its current scale, the assembled print stands about 19.5 inches tall, and is roughly the same scale as my Winged Victory model -- they make a nice pair side-by-side.
Other machine and software combos may require different settings.
Acknowledgments:
This project was made possible by the financial support of Autodesk's Reality Capture division. My thanks to Tatjana Dzambazova and Brian Mathews there for making it happen, and to the people in Autodesk's Reality Capture and 123D teams, who make incredible products. http://recap.autodesk.com + http://123dapp.com
Thanks to Dr. Tomas Lochman, director of the Skulpturhalle Basel museum, for giving me access to the museum and allowing me to conduct this experiment in extending the reach of its incredible collection and the spirit that informed its creation. http://www.skulpturhalle.ch
I'd also like to thank the following:
Bernard Frischer, Professor of Informatics and Director of the Virtual World Heritage Laboratory, Indiana University, for his advice on where to try this experiment (e dove non), and for introducing me to Dr. Lochman. http://frischerconsulting.com/frischer/projects.html
FARO, for making a FARO Scanarm Edge laser scanner available to me, and to FARO's Florian Fuenfschilling and Chris Bartschat for their expertise operating it and grabbing some laser scans of additional pieces for me. http://faro.com
Ralph Wiedemeier, who made and lent me a custom, 10' tall tripod on wheels that was absolutely critical. He even delivered it to me from Zurich. http://framefactory.ch
Bre Pettis and Kio Stark for early feedback and advice on my Kickstarter campaign. http://brepettis.com + http://kiostark.com
MakerBot for featuring my Kickstarter on Thingiverse.
Kerry Hogarth of the 3D Printshow, for giving me tickets to the London, Paris, and New York shows to use as Kickstarter rewards, and for exhibition space there to show off the project's results. http://3dprintshow.com
Susan Self for her help promoting the Kickstarter to the media. susanlself@gmail.com
Virginia Postrel for her advice and help telling the story of the bigger picture as it's been coming into focus. http://vpostrel.com/power-of-glamour
Thank you to all my Kickstarter's backers. Even though it wasn't the viral hit we'd hoped for and the campaign fell through, without their support and help promoting it, the project would have remained dead in the water. http://kck.st/1bxMz0I
-- Cosmo
Related media mentions: http://cosmowenman.wordpress.com/media-mentions/
Similar models
thingiverse
free
THROUGH A SCANNER, SKULPTURHALLE by CosmoWenman
...
cosmo.wenman@gmail.comhttp://cosmowenman.comhttp://twitter.com/cosmowenman
video link: http://youtube.com/watch?v=sujvv4xv7nu
thingiverse
free
Alexander as Helios by CosmoWenman
...lle.ch/) museum, and thanks to autodesk’s reality capture division, who sponsored this project, through a scanner, skulpturhalle.
thingiverse
free
Athenian Hero by CosmoWenman
...halle.ch/) museum, and thanks to autodesk’s reality capture division, who sponsored my project, through a scanner, skulpturhalle.
thingiverse
free
Homer by CosmoWenman
...original. there are many portraits of homer that share similar idealized features. rembrandt's anachronistic 1653 aristotle with a bust...
thingiverse
free
Athena of Velletri by CosmoWenman
...alle basel]( http://www.skulpturhalle.ch/) museum. and thanks to autodesk’s reality capture division, who sponsored this project.
thingiverse
free
Augustus by CosmoWenman
...lle.ch/) museum, and thanks to autodesk’s reality capture division, who sponsored this project, through a scanner, skulpturhalle.
thingiverse
free
Winged Victory of Samothrace by CosmoWenman
...ned dead in the water. http://kck.st/1bxmz0i
-- cosmo
related media mentions: http://cosmowenman.wordpress.com/media-mentions/
thingiverse
free
Acropolis Kore 678 by CosmoWenman
...their expertise and for operating the equipment.
and thanks to autodesk’s reality capture division, who sponsored this project.
thingiverse
free
Ares by CosmoWenman
...the sphinx mohawk is a 19th-century reconstruction based on similar depictions of ares that has since been removed from...
thingiverse
free
Hypnos by CosmoWenman
...for their expertise and for operating the laser.
and thanks to autodesk’s reality capture division, who sponsored this project.
Cosmowenman
thingiverse
free
Male torso voronoi style by RaimonElctrncs
...raimonelctrncs thingiverse male torso remixed. credit goes out to: cosmowenman who captured this piece in the 1st place. i...
thingiverse
free
3D Scan Request: Yo-Landi Vi$$er, Full Figure Nude
...by cosmo wenman, go to: http://www.thingiverse.com/cosmowenman … http://www.cosmowenman.com http://www.twitter.com/cosmowenman http://www.youtube.com/cosmowenman ...
thingiverse
free
Fabric Cubicle Wall Shelf (Short Version) by Pradselost
...people at makerbot for the t-rex and sabertooth skulls, cosmowenman for the athena at velletri, and scoots29 for the...
thingiverse
free
Male Torso, Diadumenus Type by CosmoWenman
...eminal importance in the history of greek sculpture."
source: http://www.louvre.fr/en/oeuvre-notices/torso-diadumenus-type
thingiverse
free
Stand for Antikythera Mechanism by CCFLY
...;) this is my stand for "antikythera mechanism by cosmowenmanquot; ...
thingiverse
free
Venus De Milo with supports by nuggyblake
...9 inches tall. i "reduced" original 3d scan from cosmowenman in...
thingiverse
free
The Bearded Yell & Athena of Velletri - #RemixChallenge by wwwell
...bearded yell by #bendansie and athena of velletri by #cosmowenman mixing both for the #remixchallenge. depending on your mood,...
thingiverse
free
Nike Temple Atenea #RemixChallenge Athena of Velletri by Chuybg
...miniature sculptures with the impression in 3d. https://www.facebook.com/protocreaideas/http://www.thingiverse.com/protocreaideas/designs. http://www.thingiverse.com/thing:196039 http://www.thingiverse.com/cosmowenmandesigns/page:1 for...
thingiverse
free
Abyssal Faces Wall and Floor (based upon OpenForge) by jpacek
...it! remixed from the dancing faun of pompeii by cosmowenman marble head of herakles by bdipaolo the joyful yell...
Milo
3ddd
$1
Milo Mobile washbasin and Mirror
...озмер 500*500*850
зеркало напольное
размер 2000*500*30
материал: влагостойкая фанера, каленое стекло
дизайнер: alessandro lenarda
3ddd
$1
Cassina / Miloe
...cassina / miloe
3ddd
cassina
cassina miloe действительно милое не;)))
3ddd
$1
Chrome Chippendale Dining Chair
...chrome chippendale dining chair 3ddd chrome , chippendale milo baughman chrome chippendale dining...
3ddd
$1
Miloe Cassina
...кани или кожи из каталога производителя. модель имеет очень хорошую сетку, все элементы могут быть расположены в любой комбинации
3ddd
$1
Stanley_Crestaire-Milo Round Lamp Table
... круглый
stanley furniture co.
crestaire-milo round lamp table
dimensions:
28.25"h x 30"w x 30"d
3ddd
$1
Miloe Cassina
...м из ппу, доступны также различные варианты обивки из ткани или кожи из каталога производителя. модель имеет очень хорошую сетку.
3ddd
$1
Turri / Milo
...ый диван с закругленной спинкой плавно переходящей в подлокотники. золоченые ножки. наполнение - полиуретан. декор ручной работы.
3ddd
$1
Milo Baughman Recliner 74
...milo baughman recliner 74
3ddd
dwr
milo baughman recliner 74 in leather
designed by milo baughman for thayer coggin
3ddd
$1
SoftLINE MILO ARMCHAIR + FOOTSTOOL
...u/%d0%bf%d1%80%d0%be%d0%b4%d1%83%d0%ba%d1%82%d1%8b/57864/spirit-%d0%ba%d1%80%d0%b5%d1%81%d0%bb%d0%be-milo-softline.html
3ddd
$1
Softline / Milo
...ресло производителя softline коллекция spirit, модель milo. модель в точных размерах, содержит файлы в формате 3dsmax 2012 и fbx.
Venus
3d_export
$10
Planet Venus 3D Model
...vel universe galaxy star sun meteor asteroid comet blackhole black hole nebula
planet venus 3d model clutchtrigger 49657 3dexport
3ddd
$1
ClassiCon Venus
...classicon venus
3ddd
classicon
classicon venus chair, konstantin grcic 2006
3ddd
$1
stolik.rar
...stolik.rar 3ddd mobil fresno , venus столик...
cg_studio
$9
Pouf BEDDING Venus3d model
...terior materials p
.obj .fbx .3ds - pouf bedding venus 3d model, royalty free license available, instant download after purchase.
3ddd
$1
Кровать Venus
...кровать venus
3ddd
venus
кровать venus
3ddd
$1
Кровать MOBIL FRESNO, коллекция VENUS
... venus
кровать испанской фабрики mobil fresno, текстуры прилагаются.
моделилось по фото в каталоге.
cg_studio
$88
Grand Stadium 0263d model
...ailed textures materials
.fbx .max - grand stadium 026 3d model, royalty free license available, instant download after purchase.
3ddd
$1
Диванная зона R.A. Mobili VENUS
...диванная зона r.a. mobili venus
3ddd
r.a.mobili
диваны venus от r.a. mobili.
в архиве 2 дивана в двух цветах + кофейный столик.
3ddd
$1
fama Venus
...fama venus
3ddd
fama
fama venus
3ddd
$1
MOBILFRESNO, VENUS _MF.BD.VS.1
... venus _mf.bd.vs.1
3ddd
mobilfresno , venus
кровать и тумбочка. матрас и подушка не мои.